This exhibition brings together a network of artists inspired by scientific ideas and technologies. It tells a series of loosely connected stories about the early innovators of electronic art, from ...
Fig.2 John Constable The Cornfield 1826 National Gallery, London Born into a prosperous family in the village of East Bergholt, Suffolk, Constable’s early display of aptitude and passion for painting ...
While I was working on my photographic series Work Stations 1987–8, which attempted to capture the essence of office life in Margaret Thatcher’s Britain, I came across paintball for the first time.
Shown for the first time in the UK, experience Human Mutator by Artist and Goldsmiths Professor William Latham, created with mathematician and programmer Stephen Todd. The work captures your movements ...
In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...
The tours are aimed at exploring the Tate Collection through the lens of gender identity and sexuality. Please check tours are running by calling the ticket desk on the day of the tour. Tours meet on ...
Miss Alice Gostick was a teacher at Castleford Secondary School, which Moore attended between the ages of eleven and eighteen. A member of the Art Teachers’ Guild, Miss Gostick advocated a progressive ...
This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...
Contemporary artists have extended the vocabulary of the sublime by looking back to earlier traditions and by engaging with aspects of modern society. They have located the sublime in not only the ...
Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...
Longinus, ‘Longinus on the Sublime’, trans. by W.H. Fyfe and Donald Russell, in Jeffrey Henderson (ed.), Aristotle, Poetics; Longinus, on the Sublime; Demetrius ...